From underneath the rubble sing a rebel song.” He continues to find silver linings as he sings the title phrase. Brooks & Dunn Swing It Lyrics Genius Lyrics Swing It Brooks & Dunn Track 8 on Everyone’s Hero (Original Motion Picture Soundtrack) View All Credits 1 Swing It Lyrics It's a white dot coming at.

Amid that electronic and acoustic mix, Martin’s reedy tenor provides a hopeful feel with lyrics such as “I turn the music up, I got my records on. After a synthesizer introduction that soars into thin air, “Every Teardrop” kicks in with a U2-ish guitar riff. On this first song off Coldplay’s next record (which is still baking in the studio oven, unnamed), frontman Chris Martin, the band’s resident optimist, finds love in the ruins and salvation in the power of music. Mark this disc as the front-runner in the 2011 race for best country album. Buy, Cat, Title (mouseover titles for more info) (maroon titles indicate synched lyrics), Artist. The arrangements are also nimble, projecting a sense of country traditionalism without ever feeling stodgy.ĭunn seems to have the most fun with that tough/sensitive yin and yang in the powerful getting-back-to-his-baby song “How Far to Waco,” which is propelled by a Tex-Mex blend of mariachi horns and pedal steel guitar slides. There are no missteps on this 12-track album, especially when it comes to Dunn’s manly cowpoke baritone vocals, which are flexible enough to swing from tough-guy bark to the whisper of a sensitive man. In getting back to work following Kix Brooks’ retirement in September, Dunn mixes upbeat boogies such as “Singer in a Cowboy Band” (which is closer to rock-ville than Nashville) and blue-collar ballads including “Cost of Livin’.” It captures the best elements of when he had a partner while showcasing his individual strength as a singer. There is no YouTube video for this yet, but you can access it on Apple Music or Spotify.After a couple of decades as the “and” man in the hugely successful country act Brooks and Dunn, 58-year-old Ronnie Dunn steps out with his debut solo record. Not an awesome song, but definitely not bad. It feels relatable to today’s radio listeners without compromising the lyrics, and without entirely compromising the sound. It’s a decent song with some substantial lyrics that actually get people thinking beyond some night in a field or club. Overall, this is better than most of Ronnie Dunn’s previous solo stuff. A comparison to “Oceanfront Property” is not necessarily a bad thing while “Oceanfront Property” was better, the majority of today’s radio audience will not know that song, and so “Ain’t no Trucks in Texas” will make that kind of impact. (My personal favorite is “they don’t get high in Colorado.”) Having said that, the list of stuff is pretty relatable and does paint some pretty nice pictures. Not missing this girl is like not having football in the South, the blues in Memphis, etc.

The song itself is a heartbreak song which reminds me of the 2015 version of George Strait’s “Oceanfront Property.” Basically, the premise can be summed up in this line: “There ain’t no trucks in Texas, and I ain’t missin’ you.” Ronnie Dunn lists off a lot of impossible things throughout the song. There is an electronic beat, but the instrumentation is definitely better than most of the crap on the radio being passed off as country. “Ain’t No Trucks in Texas” is the first we’ve heard from him since he signed with Nash Icon. This is a cause he has spoken often about, even releasing his last album independently after becoming disenchanted with Nashville politics. He recently signed with Nash Icon, a venture between Big Machine and Cumulus Media seeking to further the careers of older artists who are being left behind by mainstream country radio. Although I loved and still love Brooks & Dunn, I have been less than impressed with Ronnie Dunn’s solo career up to this point.

Brooks and dunn swing it